Archive for the ‘Archives Related Reading’ Category

“The Art and Science of Seeing: Applying Visual Literacy Interpretation in Natural History Museums” by Johanna Jones

Wednesday, March 18th, 2009

I have altered my topic for my final term paper on “value” to be more geared towards visual literacy, which is what I was trying to express in the first place, but the term was eluding me.  The “value” topic was becoming so massive and what I was trying to cover was becoming more and more expansive that I just couldn’t handle it.  I will be including my reading on value when talking about visual literacy, but the paper will be split into to parts. The first part will be analyzing the applicability of the following theories from textual to visual collections: Schellenberg’s infomational and evidential values, Greene’s MPLP and post-modern thoughts. The second half of the paper will be exploring visual literacy, its impact on archives (how it could be used as outreach, perhaps?), and how archivists can learn to read visual materials (VM).

In looking at the art database and the available literature there, I was surprised to find aritcles dealing with museums and curation, mostly because in the seminar course, we are using the Museum Strategy and Marketing text by Kotler and Kotler and I would have thought that library, archival and museum literature would be in the same same database for searching. I digress.

This particular article is from the Curator magazine, issue 45, no. 4 from October of 2002.  While this looks like a promising article, I was sorely disappointed in its execution.  The author continues to pose questions which she doesn’t follow up with answers or suggestions.  The best feature about the article is the section with the definition of “visual literacy” and the providing link to Educational Resources Information Center (ERIC). I was hoping from such a title that this would be more than just a call to action.  It seems as if the author is promoting visual literacy as a cheerleader helps its team to victory.  There are few examples of visual literacy awareness in various musuems, but then the author seems to belittle their use in other locations:

How can visual literacy be applied to the interpretation in natural history museums? In the past, discovery rooms, hands-on carts and other staffed programming somewhat addressed these questions [...] On the practical side, many small institutions financially cannot afford adequate staff to conduct the programs or manage floor staff.  Even large institutions that have many offerings still do not reach the majority of vistors with programming but rather through exhibits. What are some ways for large numbers of visitors to experience visual analysis methods?

The beginning question is fine, it is answered, but then she seems to undercut the answer she just gave with mentions of impracticality and another question which she poses no answer to.  This leaves me with a feeling of hopelessness and some frustration.  I would have liked to see more on “the art and science of seeing.” While it is a catchy title, it is very misleading.  For promoting visual literacy, this article would need to explain on a more broad level what visual literacy is OR go into more detail on a few of the examples of what the program was and what technique was used to make visitors aware of the clues from the item itself. The author seems to be hovering between these two versions and neither is expressed clearly.

The Double Bind by Chris Bohjalian

Friday, January 2nd, 2009

I have discovered the miracle known as audio books within the past year.  I will drive between St. Paul/Mpls area to Madison visiting my family for the holidays and that can be a 5-6.5 hour trip depending an traffic and which interstate I choose to take.  This entry is partially inspired by Richard Cox’s blog, Reading Archives and partially by the content of the book itself.

This book is not “about” archives.  At least, it doesn’t say it is. I will also say that I am not finished with the story, I’m on CD 3 out of 5 and I’m saving the rest for my ride home on January 2 or 3.  These are the points that I am most interested in: The girl works at a homeless shelter and one of the elderly men that they had known for about a year passed away.  They had helped to get him an apartment of his own and when they cleaned it out, they found a box of photos that were among the few possession that he brought with him when he arrived.  Upon his death, the shelter director had gone to Laurel, our protagonist, to help her curate a show of the photos.  The elderly man had often talked about having a show someday and the director wanted to make sure he didn’t have family who would want the photos or copyright, etc.  Laurel is also chosen for her experience in photography and she prints out photos from the negatives and does some research on his former life before the shelter with clues from some of the older photographs.

While the genius in the writing is the other, more personal part of the story and the interconnectedness between herself and the elderly man, I was facinated by the writing and the understanding of the process of what she was doing.  First, this is the kind of archival work that I would like to find.  I have earned my photography minor, possibly putting more work into that than I did into my Spanish major.  Secondly, the steps of intense archival work are there.  She has no archival training, but she does have photographic knowledge.   There is description of her thought processes on how to store, selection of what to print, creating an inventory of the images and negatives as well as searching for copyright restrictions or anyone else who may hold copyright.

This book is not just a novel, but it also has documentation of how a non-archivally trained professional would go about taking care of a collection.  It is a little slow going at times and I do need to take a break after each CD or so, but the ties to the archival world are fairly strong.  If you are interested in reading/listening to it, however, I would suggest reading or re-reading The Great Gatsby by F. Scott Fitzgerald.  There are a lot of references to the characters/people of that book as well.

Appraisal of Sound Records

Sunday, October 12th, 2008

For our “Accessioning and Appraisal” class, our final paper is aimed at being a publishable piece, approximately 17-23 pages long.  Originally, I had chosen appraisal of photographs, as that is where my major interest is.  It had been suggested to me that I do sound.  I balked at the idea at first, as I have not had any interaction with audio media in the archives realm, but as I’m reading more on it, I am becoming more interested in the complexity of issues that surround its appraisal.

Christopher Ann Paton’s article, “Appraisal of Sound Recordings for Textual Archivists” is my best resource so far, touching on many of the aspects that I would also like to incorporate into my literature review. Other sources that are proving to be very helpful are Boles’ Selecting and Appraising Archives, Paton’s “Preservation Re-Recording of Audio Recordings in Archives,” Helen Harrison’s 1984 RAMP study, and Frederick J. Stielow’s The Management of Oral History Sound Archives.

I am aware that I am not the strongest researcher.  My frustration with my searching is that the sources I’ve found are all about 20 years old, with the exception of the Boles book, but those 2 pages reference the very useful Paton articles I’ve mentioned.

I’ve done a bit of reference-chasing in the Boles book, but its not leading me to anything new.  I’m looking for and open to all suggestions for sources on appraising audio records in archives.

About the Author

Sunday, September 21st, 2008

In addition to the “Blogging Ethics Statement,” I realized that I had not created a place for information on who I am and what my connection with the archival world is.

About the Author gives that background information and a place for comments.

Reflection on “Protocols for Native American Archival Materials”

Tuesday, September 16th, 2008

In my Archives User Services and Outreach class, a colleague explained a little bit of her experiences of Native American life.  This was to give insight to SAA’s “Protocols for Native American Archival Materials,” one of our assigned readings.  She majored in Native American studies and has worked closely with the Native American community in the area since 2002.  She was also engaged to an Ojibwa man for awhile and so she has unique and personal experiences with family interactions as well.

She gave us a stream-of-consciousness talk that touched on examples of beliefs and expanded on a few of the quotes that were presented in the document.  She described herself as having “absorbed the emotions” and was having difficulty putting in to words.  All in all, I found it to be a very moving discussion and I’d like to do more with how it made me feel, but I’m not sure what steps to take.

One of the quotes she pulled from the document was from Kim Lawson, where it was said that, “It’s a whole system of a way of life.  Our knowledge systems don’t make sense without spirituality.”  She tied it to Sheree Bonapate’s quote where it was said that, “We belong to the land…these elements endure over time; we come and go.”  Even though the speakers are from different tribes, the sentiment of fluidity and a symbiotic relationship with the land and surroundings is apparent.

She went on to talk about other examples that help to understand context for the document.  Women are seen as having a very powerful gift, they are the lifegivers.  There are certain times during a month where women have talking circles or mooncircles and the men of these communities know not to join in or know about what is discussed.  When she was talking about this, I was very close to crying.  I would love to have a group of women to talk to about woman stuff.  To have a support group built into the culture and respectful, expected exclusivity would be a blessing.  The American idea of individuals “pulling themselves up by their bootstraps,” and the added hurdle of being born female are becoming more taxing as I’m nearing graduation and entering into the “real” world.  I can see how this is a tradition that would be highly valued and keeping records, as if it were a formal meeting, could diminish the importance and meaning of the gathering altogether.

I may be making a far fetched connection, but this reminded me of a friend who was talking about his study of Qi’Jong.  He said that Chinese culture did not allow for women to learn the art of Qi’Jong, because the power that women naturally posses would a dangerous combination if allowed to practice (no confirmed sources).

She brought up how one acquires information in the culture.  Calling or emailing and straight up asking for information is disrespectful.  Obtaining information is a process and requires a relationship between the seeker and the giver.  In another class, we had an acquisitions manager of a large repository speak to us and one of his caveats was to not alienate the donor in your desire to obtain the collection, and she referred back to this statement.  Information is earned and appropriate actions would include visiting, talking face to face, and bringing something like a gift of tobacco.

This part of the discussion brought a few things to mind.  One was a offhanded thought that linked to another reading from the class for the day, “Chatting up the Archivist: Social Capital and the Archival Researcher” (Johnson, Duff. American Archivist Vol. 67), where perhaps the idea of a personable relationship with the archivist isn’t required, but it seems to be more fruitful than if the researcher had not engaged the archivist in “chitchat” or common interests discussion.

The other thought was that the Amish lifestyle has a similar outlook towards the essence of their way of life.  Technology has both sped up communication, but also made it less meaningful.  In 1998, while doing a report, I came across a reading that was an explanation of why it was done this way.  The effort that one put into to planning a visit and caring for the horses and preparing the wagons was a physical way of showing the significance of visiting the person, that the time they were to spend together was so valued that the journey would be worth the efforts.  This seems to be what I am understanding from the relationship and respect with information dissemination of the Native American lifestyle; if you have put forth the effort to connect with someone and have patience, then you have earned the knowledge you have come asking for.

Another bit of hearsay came to mind with the mention of exchanging of goods for information or information for information.  The example I remembered is energy for information.  Much like the Amish way of life, I was told by a friend how he came to be a practitioner of Reiki.  He said that a relative was a Master and that she offered to teach him, but she couldn’t just give it to him.  Because the art of Reiki was about balance of energy, there had to be an exchange.  He spent time helping her fix and clean her house and when the agreed amount of energy and time had been completed, she trained him.

This also brought to mind issues of implementation of this sort of strategy and solidifies the idea of the “archivist as gatekeeper.” There can be no across the board criteria set for determining when sufficient exchange of energy, effort or information has been reached and the researcher is ready to receive the desired knowledge.  She also mentioned that certain areas, such as a being a medicine man, required preparation because the knowledge was to powerful that one needed training to understand it.

While all the information she provided us with was to gain a contextual perspective on the “Protocols” set forth by SAA, I couldn’t help but pull up all these other instances of similar beliefs on the dissemination of knowledge.  It seems that there is an underlying common factor in many cultures that knowledge and information is to be earned and not merely “had.”  This seems to contrast harshly with our attempts to make use easier and information accessible to everyone.  Is there a human need for exchanges to occur for information?  Are information and knowledge completely different aspects that I’m using incorrectly as interchangeable?  With the deep importance of this exchange process,can it be regulated by a protocols document?  This seems to bring up very complex and sensitive topics where traditions would be compromised if altered.

Election year means reviewing the Hatch Act

Thursday, August 21st, 2008

The Hatch Act governs the behavior of federal employees regarding political activity. Being an election year, this is an especially important topic to cover/review. For NARA employees, specific information can be found here: Hatch Act and Political Activities.

While the rules are fairly clear and simple, I do have a few questions to pose to whoever is inclined to answer.  The link has a list of “Can do” and “Cannot do”   as a NARA employee.

1) Why can’t I, as a NARA employee, hold a political fund raiser at my house, especially if it does not include solicitation towards coworkers?  This seems to violate my personal property, as I own my house (theoretically) why should my actions in my off-duty hours be governed there (at my house) by my position held?

2) You cannot

Solicit, accept, or receive political contributions from a subordinate employee

… but I could solicit, accept, receive, etc from a supervisor?

3) You cannot

Display items (e.g., posters, signs, stickers) at work that indicate support of or opposition to a political party or a candidate in a partisan election

So… no one can have bumper stickers?

These questions may seem childish and unnecessarily antagonistic, but if one were to follow the guidelines to the letter, these would be issues to be looked at.

There is a notes section at the bottom of the page which makes the reader aware that some the of activities listed on the page under the “Cannot do” section may be considered criminal offenses.

Archive This!

Tuesday, July 29th, 2008

This week begins “Primarily Teaching” a conference where teachers come to learn about archives and how to use archives in the classroom. This book is one of three that is part of the Thank You bag which the teachers receive. I’ve read through some of it and I find it a little busy. It is arranged a bit like a comic book and there is a comic in it. The comic helps to understand what an archives looks like and how people have passion for records. The rest of the text gives examples of archival documents and encourages the students to see what they have of their own that could document their lives. It is a good teaching tool and would be great as a read-along for hands-on exercises, but I would not consider it good a stand-alone reading assignment. In my opinion, I think it is great for grades 3-5 in a history or civic lesson.

It is sold by the National Archives eStore for $13.50:
http://estore.archives.gov/ProductInfo.aspx?productid=F-02-97

End of semester blues.

Thursday, April 24th, 2008

I have finally gotten over the hump of the worst of my end-of-semester assignments to do. I can venture from the cave for a short while.

The mostly-polished but still a little rough draft of our finding aid was due on Tuesday. I feel OK, but not great about it. I will have many people look over my final draft. After all, as Ciaran says to us, “This will be a public document.” I do not wish to ever turn in unpolished products, this is probably my most beloved assignment yet. Second is our research for Information Use and Users on the information gathering and use of World of WarCraft Players.

Working at the Historical Society has not been as exciting lately. Learning how to make labels and use the software. The free software which has bad help menus and then I write over the database of 113 labels I just created with the information for the 40 labels. Of course it couldn’t have been the other way around, but we make mistakes to learn, right?

I’ve also started a new audio book,



The Devil in the White City.

I’ve never been one to read much historical fiction/non-fiction, but Larson is doing a fantastic job of making me want to do more research, visit Chicago, take photos and get involved with the spaces around me. It has prompted me to see how many World’s Fairs have been in Chicago. There have been at least three. The one the book is based off of, 1893, one in 1918 and again in 1933. I was most interested in finding out about 1933 because the one where the Keck & Keck brothers presented their Crystal House and House of Tomorrow.